Dutch 1599-1641 Anthony Van Dyck Locations Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck studies in oil of characterful heads were included in Rubens estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone; and from at least the early 18th century his full-length portraits were especially prized in Genoese, British and Flemish houses, where they were appreciated as much for their own sake as for the identities and families of the sitters.  Related Paintings of Anthony Van Dyck :. | Portrait Amalies zu Solms Braunfels | franz xaver winterhalter | Portrait of a Young General | philip de laszlo | Hilly landscape with trees (mk03) |
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FOSCHI, Pier Francesco
Italian painter, Florentine school (b. 1502, Firenze, d. 1567, Firenze) was an Italian painter active in Florence in a Mannerist style. He was pupil of Andrea del Sarto and assisted Pontormo with his frescoes at Careggi in 1536. He completed 3 altarpieces, commissioned in 1540C1545 for the church of Santo Spirito in Florence: an Immaculate Conception, Resurrection , and a Transfiguration. Foschi was also influenced by and Il Bronzino. One of his pupils was Alessandro Fei. Also called Pier Francesco di Jacopo Foschi or Toschi. He was the son of Pierfrancesco di Jacopo Sandro Foschi, known for his Madonna and Child with the Infant Saint John. (Utah Museum of Fine Arts). Foschi is best noted for his portraits painted between 1530 and 1540, including his Portrait of a Lady (Museo Thyssen-Bornemisza), Portrait of a Young Man Weaving a Wreath of Flowers (Utah Museum of Fine Arts), and his Portrait of a Man, (Uffizi Gallery). In his portraits he adhered to Mannerist style, utilizing a slight Contrapposto in the sitter with their head turned from the body. This pose gave the depiction a spontaneity and sense of movement for the innovative Mannerists, but was eventually so formulaic that it lost its intention of originality.
KINSOEN, Francois Joseph
Flemish painter (b. 1771, Bruges, d. 1839, Bruges
Helen Galloway McNicoll (
Canadian, 1879-1915